Blink and you could miss an East Nashville show played by Yumi and the System. But if you’re listening, you’ll hear about the energy long after the show. They’re Cat Power vs. the Kills. A grunge-rock cousin to the Yeah Yeah Yeahs. And their energy is sweeping the floor, and providing an integral part of the ever-shifting rock genre. This crunching, energy packed duo swelling up East Nashville has easily become a must-see for locals in the rock scene. With strict punk beats, daring melodies, and seasoned with electronic flavor, Yumi and the System have caught onto something.
Having previously toured in a band for a number of years, Pennsylvania transplants Amy and Ben Wright refreshed their love for music by taking a break from their previous project. With their passion for the rock genre, they started shaping new songs, and the female- fronted rock duo Yumi and the System was born. You can pre-order their debut album – Wonders of Origin – now.
Wolfmen of Mars and The Mangled Dead make music that combines the synth sounds of the 70s-80s and mixing them with heavy grooves. A soundtrack for late night driving or space travel. Includes cover art by Devon Whitehead and back jacket/label art by Kevin Spencer. Available now!
In the depths of a Rochester winter, the beaches of California are a non-reality. The thought of going surfing is more a far off idea than a lifestyle. This leaves a lot of room to interpret what “Surf music” is supposed to be. Enter The Huckleberry Fins — the new album, Pipe Dreams is available everywhere 07/24/15.
The Sun Lions just finished their first full-length album, and it is ready for listening on wax – Whatever’s On Your Mind was recorded at Sonelab Recording and engineered by Justin Pizzoferrato (Dinosaur Jr, Speedy Ortiz, Sonic Youth). Grab it from the band online or at one of their shows!
Silkie’s latest album Fractals on long-time friend and collaborator Distal’s newly minted imprint ” might just be his most forward thinking work to date. Silkie has put together a psychedelically sexy and temperamental record that toys with new ideas, archetypes and bpm’s but still grounds itself in what makes dance music and his music so palpable… repetition.
Raised on-planet, Silkie grew up close to the heart of the people on the streets. At at young age he found a deep hidden connection with music that had been lost in the people for centuries. Leading a musical renaissance Silkie would broadcast his music to the people from a re-apropriated military pod. His pod was his home, his life, his love, and most importantly a platform of hope for the people left on the dying planet. Read on here…..
Written by Andy Cabic:
Vetiver is what I’ve been calling my songs and recordings since about 2003 or so. I live in San Francisco, have since 1998. My touring band and the musicians I’ve recorded with over the years are always changing, though many friends and players have stayed with me over albums and tours. The one constant has been Thom Monahan who has engineered and co-produced every Vetiver album. Thom lives in L.A., where most of Complete Strangers was recorded. The album came together slowly over demos at my home in San Francisco and quick trips to L.A., continuing on with Thom at his studio. It moved in fits and starts for a couple years. Once we had the basic arrangements we jumped in the studio with Bart Davenport, Gabe Noel and Josh Adams for a few days to put down rhythm tracks. That’s when the album really took shape. Thom & I fleshed everything out with a few more musicians in San Francisco & L.A. and eventually Complete Strangers arrived. The songs on Complete Strangers bear some resemblance to the album’s title. They share things in common but come from different places, different times. “Stranger Still” is an anthem for insomniacs, illuminating the hours when the world exceeds our grasp. “From Now On” rings out some emotional tinnitus, the moment a night runs away from you, when freedoms turn into responsibilities. The album builds around dualities, the way people pair at parties. “Current Carry” percolates with the confidence of love, while “Confiding” reveals how vulnerable we are chasing love. “Backwards Slowly” and “Edgar” are vignettes of transition, more ebb than flow. As with many of Vetiver’s better moments, sunshine is only a chord away from melancholy. An introspective lyric underlies an extroverted chorus. Subtlety tries to be outgoing, loneliness familiar, in an effort to connect the dots of life’s ellipsis. I’m still figuring the album out. It feels like someone I’ve just met yet known for a long time.
Available now from Easy Sound Recording.
Cory Allen‘s new album, The Source, travels to a place where avant-garde composition, free jazz drums, and eastern mysticism merge as one. Across the span of four long form pieces, the music shifts from lush string sections and gongs to passionate free drumming and Rhodes piano, to the meditative drones of Hammond organ, tanpura, and harmonium.
These works were composed using performance rules, pitch pools, and guided improvisation in a musical style Allen refers to as psychedelic minimalism. The sessions for The Source were superbly captured at three different studios in Austin: Estuary Recording Facility, Stuck On On, and Altered Ear.
Pre-order now from Punctum Records.
This Columbus band’s one and only album is seeing the light of day on vinyl for the first time ever courtesy of Re-Vinyl Records. The band is reuniting in celebration of its release (very likely for this weekend only) – catch them Friday, June 26 at Ace of Cups (Columbus), or Sunday, June 28 at Comfest in Columbus.
Punk legend Cheetah Chrome – co-founder of The Dead Boys, and more recently Nashville’s Plowboy Records – released his first ever studio collection of solo material, Solo via Plowboy on October 8, 2013. Solo was a 7-song EP of cuts from a 1996 recording session produced by Genya Ravan (with executive producer Hilly Kristal) which he deemed his “great lost solo album” and a Nashville session in 2010 featuring Sylvain Sylvain (New York Dolls), Lez Warner (The Cult), and Sean Koos (Joan Jett and The Blackhearts).
Available now on vinyl for the first time, with some added bonus tracks, all encased in a chrome jacket.
Midwich Records is a new Chicago record label dedicated to electronic music, ranging from techno, ambient, experimental and noise. The label is releasing music on vinyl only, complimented with digital downloads. The covers are adorned with the retina-burning work of renowned artist Mark Salwowski.
The first two releases from the label are new records from Detroit’s Moon Pool and Dead Band and Chicago’s MAGAS.
Moon Pool and Dead Band’s MEQ (pronounced MEK–futurespeak for ‘mech’) is an album of swinging, dirty, analog techno-funk, created with mountains of old synthesizers. MEQ consists of Moon Pool and Dead Band’s earliest track, reworked by some of Detroit’s (and ex-Detroit) best producers: Patrick Russell, BMG (Brendan M. Gillen of Ectomorph), JTC (Dabrye/Charles Manier aka Tadd Mullinix), Ice Cold Chrissy (Coyote Clean Up), Michael Dykehouse, Erno the Inferno and Nate Young in Wolf Eyes mode. MEQ plays like an album, rather than a collection of remixes.
MAGAS’s Heads Plus is the first proper vinyl release from James Marlon Magas since 2009’s Violent ARP. For the past several years, Magas has been concentrating on instrumental production, eschewing vocal histrionics of previous work, in favor of moodier, more open-ended composition. This focus has resulted in the bombastic and hallucinatory Heads Plus, an all-instrumental wallop that fuses howling ARP Odyssey, capricious Juno funk and fuzzed Rhodes anchored to the ever-present throb of the Roland TR-808 drum machine.