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Posts Tagged ‘vinyl record pressing’

The Dollyrots — Whiplash Splash

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Whiplash Splash is an assertive doubling down on the power pop hooks and punk rock flair issued by California duo The Dollyrots. Tracking much of the raw performances of this 6th studio effort themselves, the band once again enlists Producer John Fields to add polish to Kelly Ogden’s vocals and craft a radio-ready mix. The resulting 13 songs exude authenticity and shift between breakneck tempo changes (“Babbling Idiot”), extreme loud/soft dynamics (“Mermaid”) and bubblegummy melodic three-chord punk (“I Do”).

Recorded during singer/bassist Ogden’s pregnancy with her and guitarist Luis Cabezas’ second child, Whiplash Splash is The Dollyrots’ first studio LP since 2014’s Barefoot and Pregnant and follows two Top 20 peaks on Billboard’s Heatseekers Chart. Standout tracks include guest vocals by Kay Hanley of Letters to Cleo (“Just Because I’m Blonde”), Jaret Reddick of Bowling For Soup (“Other Trucker”), and a modernized buzzsaw-guitar cover of Katrina and the Waves’ “Walking On Sunshine”. As a whole, the record fits sonically between any modern pop-punk and guitar goddess rock & roll… with a hint of Ronnie Spector.

 

Retail Space – You Can Catch A Lobster With Eggs But Not Egg Salad

Retail Space‘s You Can Catch A Lobster With Eggs But Not Egg Salad album was recorded to a 1/2″ 8 track Otari MX5050 and was mixed to an 1/4″ 2 track Otari MTR-12. Therefore, it sounds best on it’s natural analog medium of vinyl.

Includes digital pre-order of You Can Catch A Lobster With Eggs But Not Egg Salad. You get 3 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.

 

Mark Erelli — For A Song

Even today, it’s possible to write songs honestly and intelligently, arrange them with a sensitive ear and sing in a way that brings their stories to life. We know this, in part, because that’s what Mark Erelli does. In his quiet way, the Boston-based singer/songwriter has gathered and grown a following that values these qualities. Which is why it’s seemed too long to too many since Erelli’s last album of original material.  The long wait is over with the release of For A Song, a bouquet of new songs that reflect where this artist has arrived, personally and professionally. From introspective ballads to celebrations of love’s allure, these 12 songs stand-alone as eloquent statements and together as a meditation on life in all its dimensions.  Grab it now!

 

The Evaporators — Ogopogo Punk

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From the depths of the uncharted wilderness (or is it “wildness”?), Nardwuar the Human Serviette, John Collins, Stephen Hamm, Nick Thomas and Shawn Mrazek, known hereafter as The Evaporators, release 8 new songs in the form of a digital download and coloured vinyl LP, titled Ogopogo Punk!

The Evaporators sing about a lot of things on Ogopogo Punk including: shaving, mohawks & dreadlocks, eating to win, the mythical landlocked BC monster the Ogopogo, Skagit Valley’s Chuckanut Drive and a whole lot more!

Over the past decade The Evaporators have graced stages / halls / living rooms with everyone from Anal Mucus to Sleater-Kinney to the Whack Attack Puppet Show.

 

Holly Bowling — Better Left Unsung

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Holly Bowling’s Better Left Unsung is a collection of classical solo piano arrangements of the music of The Grateful Dead. A classically trained pianist, Bowling possesses one distinction that sets her apart from similarly studied musicians—a devotion to improvisational rock music and the vision to painstakingly transcribe “jam” masterworks note-for-note, arranging them for solo piano and improvising upon what was already written. Last year, Bowling released Distillation Of A Dream: The Music Of Phish Reimagined For Solo Piano to wide acclaim. So it only seems fitting that she turns her attention to the music of The Grateful Dead for her second album. Containing over two hours worth of music, Better Left Unsung is available as a triple-LP set.

“Franklin’s Tower,” “The Other One” and “China Doll,” are among the songs Bowling recorded for the album, in addition to an entire solo piano arrangement of the “Terrapin Station” suite. Bowling’s favorite version of “Eyes Of The World” from Louisville’s Freedom Hall in 1974 receives a complete transcription, as well.

Phish song, “Tweezer,” is what first inspired Bowling to begin transcribing and arranging the music of her favorite artists for solo piano. After witnessing a moving performance of the song at Lake Tahoe on July 31, 2013, Bowling sat down and transcribed the 37-minute performance note-for-note. When performing these pieces, Bowling uses her classical piano technique to make each song her own work of art.

 

Giant Kitty — This Stupid Stuff

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Known as one of Houston’s premier punk bands, Giant Kitty has opened for national and international acts such as Japan’s Shonen Knife, Dressy Bessy, and Girl in a Coma. They have played high profile festivals throughout the south as well as headlining a showcase in the 2016 SXSW conference in Austin. The band’s sound has sometimes been described as a mix between the Sex Pistols and the Runaways and has often been compared to Sleater-Kinney, L7, Black Flag, and Bikini Kill.

This Stupid Stuff – Giant Kitty’s fierce and wry LP was produced by Mark White of the Spin Doctors, recorded by Houston legend Joe Omelchuck, and finally mixed and mastered by the two-time Grammy nominee Roman Klun.

 

Moon Temple — I & II

 

Moon Temple is Gabriel Andruzzi. You may know him as the bass player/sax guy/engineer of a well known defunct, NYC band.  This well-polished piece contains 9 tracks of delicate interludes, acid stompers, and weirdo spastic mechanical marches. There is no way to know if this release will end up in a big room, a sweaty basement, or a museum. Not only does it sound good, but there is a visual aspect too. Both I and II 12”s (pressed on 45) are packaged in beautiful silver foil op art by Moscow’s Art Crime.

 

Bazile Mills — Where We Are

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Bazile Mills is an Indie/Alt band from Omaha, NE, formed in May of 2014. The name is a tribute to a time almost forgotten and the ghost town. The town of Bazile Mills was founded in 1882 after the first woolen mill in Nebraska was erected just north of town. Today there are only about 30 residents as the townspeople left after the mills closed. The group is based around songwriterDavid Mainelli and features versatile musicians around him. Tim Rozmajzl brings a gifted country/ blues lead guitar to the mix. Laura Streeter (former lead singer for Gauge) brings an array of instrumental talents and a powerful, moody/indie voice that combines with rhythm guitarist, Sam Vetter’s, unique voice as well. Dan Stein plays the bass and the lap steel guitar and Robb Clemens (formerly of Driven) brings plenty of band experience with the drums.

The band’s new EP – Where We Are – is available soon from Widmest Productions. Stay tuned!

 

Angela Perley & The Howlin’ Moons — Homemade Vision

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Armed with electric guitars, swooning vocals, and songs that split the difference between rock & roll and dreamy psychedelia, Angela Perley & the Howlin’ Moons pack the biggest punch of their career with Homemade Vision.

Like the band’s debut, Hey Kid — an album whose kickoff track, “Athens,” earned Perley an International Songwriting Award in 2014 — Homemade Vision was recorded in the Howlin’ Moons’ hometown of Columbus, Ohio. Many of the songs were dreamt up somewhere along the highways and backroads that crisscross America, though, coaxed into life by a group of roots-rock road warriors who regularly play more than 100 shows a year. As a result, Homemade Vision is the sort of wide-ranging record that creates its own geography, building an imaginary place where the influences of David Gilmour, Tom Petty, Led Zeppelin, and Nebula all intersect.

It’s also the work of a genuine band. Chris Connor’s guitar playing — a flurry of fuzz, crunch, twang and bang — occupies just as large a role as Perley’s voice, while Billy Zehnal’s bass — coupled with cymbal crashes and snare hits from an arsenal of heavy-hitting drummers — glues the mix together. Inspired by love, heartbreak, and everything in between, Homemade Vision is a battle cry from a band that’s spent years fighting the good fight, carving out their own brand of atmospheric, aggressive Americana along the way.

 

Poster Children — Daisy Chain Reaction

Daisy Chain Reaction 25th Anniversary Reissue (Vinyl and Bonus Tracks ONLY) cover art

In celebration of the 25th anniversary of Daisychain Reaction’s release, Lotuspool Records is proud to present the definitive vinyl edition of this early ‘90s classic engineered by Steve Albini. The album’s twelve songs have been remastered from the original tapes and cut to lacquer by Bob Weston of Chicago Mastering Service and pressed onto 180 gram black vinyl.

The package features a 16-page retro fanzine with a new, exclusive essay by Jon Fine (author of Your Band Sucks) and reflections on the making of the album by members of the band.  In addition, three previously unreleased tracks (an early version of Where We Live from the Albini Flower Plower sessions and 1989 demo versions of If You See Kay and Where We Live) are included as an immediate digital download.

 

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