The debut LP from Chicago producer, multi-instrumentalist, and songwriter Luke Titus. Multiple limited editions available for pre-order from Sooper Records now!
The debut LP from Chicago producer, multi-instrumentalist, and songwriter Luke Titus. Multiple limited editions available for pre-order from Sooper Records now!
The Dead Milkmen make a triumphant return with their new single, a spirited cover of Heaven 17’s classic anti-fascism anthem “(We Don’t Need This) Fascist Groove Thang”. With righteous indignation and a thumping four-on-the-floor beat, the recording marks the legendary satirical punk band’s first new release since 2017’s Welcome to the End of the World EP—and a characteristically grim pronouncement on the upcoming Republican National Convention.
The new single is accompanied by a b-side, “A Complicated Faith,” a Milkmen original buoyed by Depeche Mode-inspired rhythms and a scalding guitar solo courtesy of Joe Jack Talcum. “It’s obviously a very emotional song for Rodney to sing,” drummer Dean Clean says of the tune.
Following the Giving Groove model, all label profits will be donated to a 501(c)3 music-related charity. The Dead Milkmen have chosen Girls Rock Philly as the recipient for this release.
Sweet Trip‘s Velocity:Design:Comfort is awash in ethereal Slowdive, Cocteau Twins, My Bloody Valentine guitars and vocals, Aphex Twin and Squarepusher leftfield electronic and acoustic beats, and ambience. It is all at once leftfield electronic, Afro-Cuban, glitchcore, tropicana house, MBV indie but most of all uniquely Sweet Trip. No other band on the planet sounds like Sweet Trip. No one ever before has done such a proper job of genre-hybridizing. Soundscapes as beautiful as Eno’s. Dense multi-tracking of sound a noise that never tires the ear. They blend alternative rock subgenres with electronic dance music and in such a unique and clever way. It’s a timeless hybrid.
Since it’s release in 2003, Velocity: Design: Comfort has steadily bubbled under, ever finding new popularity. Sweet Trip did achieve some moderate, respectable, indie-electronic, shoegaze success with Velocity: Design: Comfort when released. And Sweet Trip’s three records have always maintained a respectable level of popularity. Over the last five years, however, the popularity of this one Sweet Trip record in particular has surged, finding exponentially more new fans now who are sharing their love for, and propelling new discovery of this unique San Francisco band. There’s a whole new generation of shoegaze, glitch-pop, electronic music kids, some only just born in the late 90s, embracing it and proclaiming loudly that the singular sound of Velocity: Design: Comfort is now more than ever, a substantial and important record.
This is the first time this album has ever been available on vinyl. Order from Darla today!
Over 25 years in the making! Death Waltz Recording Co. is extremely proud to bring you both the score and the songs featured in Alex Winter and Tom Stern’s FREAKED – available for the first time in any format.
This 2XLP set features all new artwork from inventor of Strata-Cut clay animation David Daniels (who did the original, mind-melting opening credit sequence for the film) and features liner notes by directors Tom Stern and Alex Winter
Disc 1 features songs from the movie from the likes of Butthole Surfers, Blind Idiot God, Henry Rollins, Axiom Funk (George Clinton & Bill Laswell) and Iggy Pop.
Disc 2 features Kevin Kiner’s original score, which so good that it could easily rival any number of Amblin’s films from the ’80s. Kiner’s music is incredibly nuanced, yet playful and bombastic (in a good way) that it is a revelation when listened to independent of the film.
Available from Mondo.
Amy Oelsner’s homemade pop songs sparkle with these eternal truths: that story-telling is part of being alive, and excavating the past is part of growth. Oelsner, who records as Amy O, is a lifer of the indie-pop underground for whom songwriting is a way of processing the passing of time. Her latest, Shell, brims with poetic granular details of everyday life; it’s her third studio album, and tenth including her many years of home recordings.
Following 2017’s Elastic, Oelsner continues living up to that album’s namesake: Shell similarly stretches with melodies upon melodies. But here there is greater use of space and pace and patience. Perfectly minimal riffs slowly build, ebb, erupt and recoil; guitars and keys layer and swell; there are moments of steady piano-pop, intricate drums and pristine criss-crossing vocal melodies.
Preorder from Winspear now for arrival Oct 25, 2019.