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The Steel Woods — Straw In The Wind

Straw In The Wind, the debut album from Nashville-based rock band The Steel Woods is set for release on May 19 via Woods Music/Thirty Tigers — you can pre-order it now. The Steel Woods are a commanding musical force that blends an amalgam of influences with a Southern-infused foundation. The group’s sound is a hybrid of rock, blues, folk, gospel, heavy metal, Americana, soul and bluegrass.

Straw In The Wind features 13 tracks mostly written by lead singer Wes Bayliss and guitarist Jason ‘Rowdy” Cope, who played guitar in Jamey Johnson’s band for nine years. The album includes songs by acclaimed writers such as Darrell Scott, Brent Cobb and even Black Sabbath, which receive inspired and distinctive interpretations. Bayliss and Cope, the gifted multi-instrumentalists and group co-founders, are joined by drummer Jay Tooke and bassist Johnny Stanton.

 

Record Store Day 2017

Happy RSD 2017!  10 years of celebrating the indie record stores that so many of us spend much of our free time and spare dimes…here’s a list of titles pressed by GGR this year:

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Cheap Trick – The Epic Archive Vol. 1 (1975-1979)

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Colemine Records – Soul Slabs Vol. 1

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Commander Cody and His Lost Planet Airmen – Live Ebbett’s Field

Image result for Corey Feldman (feat Snoop Dogg and Doc Ice) - Go 4 it b/w Everybody 7inch

Corey Feldman (feat Snoop Doff and Doc Ice) – Go 4 it b/w Everybody 7inch

Image result for Count Five - Psychotic Reaction

Count Five – Psychotic Reaction

Image result for Electric Flag - Whisky A-Go-Go: September, 1967

Electric Flag – Whisky A-Go-Go: September, 1967

Image result for Emerson Lake and Palmer - Once Upon A Time in South America

Emerson Lake and Palmer – Once Upon A Time in South America

Friendship Commanders – Junebug 7inch

Image result for Mark Mulcahy - The Possum In The Driveway

Mark Mulcahy – The Possum In The Driveway

Image result for The Music Machine - (Turn On) The Music Machine

The Music Machine – (Turn On) The Music Machine

Image result for Paul Butterfield - Live in New York 1970

Paul Butterfield – Live in New York 1970

Image result for Son House - Oberlin College, April 15, 1965

Son House – Oberlin College, April 15, 1965

Image result for Soundtrack - Pineapple Express

Soundtrack – Pineapple Express

Image result for Southside Johnny & The Asbury Jukes - live from e street

Southside Johnny & The Asbury Jukes – Live From E Street

Image result for Stone Roses - Sally Cinnamon

Stone Roses – Sally Cinnamon

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Tillers / Frontier Folk Nebraska – Split 7inch

Image result for Todd Rundgren & Utopia - Utopia Live at the Fox: 1973

Todd Rundgren & Utopia – Utopia Live at the Fox: 1973

Walter Lure & The Waldos - Live In Brooklyn

Walter Lure & The Waldos – Live in Brooklyn

Wussy – Self Titled

 

 

The V-Roys — Just Add Ice

This is the limited edition, first ever vinyl release of The V-RoysJust Add Ice. Originally released in 1996, Just Add Ice turns 21 this year; now it’s old enough to buy its own Cold Beer Hello. This limited issue of 500 copies is individually numbered with a silver stamp on a nice matte finish, tip-on jacket.

 

The Figgs — The Man Who Fights Himself

The Story Behind The Release (in the words of Mike Gent, April 2017).

In the spring of 2008, we rolled into Los Angeles armed with a batch of brand new, unrehearsed songs and keyboardist Scott Janovitz. On top of the studio time we had booked, I had the terrible idea of adding shows to our schedule. We would record all day, take a dinner break, go to whatever show was booked, stay up all night catching up with west coast friends, then do the same thing the next day, then the next, and the next….Not the best situation for getting usable takes.

Sessions continued for a bit in Philly at G Love’s studio and then a lot of time passed before we continued work on the album. I’ve always felt that the band really needed a producer for this record. We had successfully produced Palais & Follow Jean on our own, but by the time we hit this record, we had run out of steam in the production dept.

The next set of sessions in 2009 we did at Scott Riebling’s studio. Scott recorded the first Gentlemen record and I’ve always enjoyed working with him. Just what the doctor ordered… Those sessions were so easy and fun, it inspired us to book a final set of sessions with Seth Powell at the original location of his Soundcheck Republic studio to finish the record.

The Man Who Fights Himself was finally released in spring of 2010 (Two years after we started it in LA) with very little fanfare.

The idea to remix some of the record has always been in the back of my mind. A few people over the years have asked when this would be released on vinyl. It made sense to me that when we did get around to putting it out on vinyl, that I would take the masters, remix most of the record, and have it remastered by Mike Quinn specifically for vinyl. Well, I finally got around to this project last Oct-Dec with the help of Ducky Carlisle.

Preorder is up!

 

Matthew Logan Vasquez — Does What He Wants

Does What He Wants (LP)

Matthew Logan Vasquez is feeling optimistic.

That’s not necessarily apparent the first time you spin his new full-length solo album. Each track on Matthew Logan Does What He Wants feels urgent and intense. Impatient landlords, financial woes and other frustrations fan the agitation embedded in the opening track, “Same.” Isolation darkens the brooding images of “From Behind The Glass.” Death takes a bow on “The Fighter.” Vasquez can’t help but juxtapose the celebration of “Fatherhood” with a lament that “we ain’t got the money to pay the hospital.”

The music enhances this impression. As fans of his work with Delta Spirit and Middle Brother know well, Vasquez knows how to fuse passion and poetry in his writing and then ignite this volatile mix with extraordinarily expressive singing. In this sense he stands as a peer and a worthy successor to those who influenced him as an up-and-coming artist — Neil Young, Kurt Cobain, Pink Floyd, Lou Reed and others often mentioned, none of them known for their upbeat, sunny lyrics.

The Does What He Wants pre-order is up for now, and the album will be released by Dine Alone Records on April 21.  Also, the Does What He Wants tour has begun, hitting many dates across the U.S. between now and May 27.

 

Mike Crawford & His Secret Siblings — Bright Hopes!

Bright Hopes! is the third release from Mike Crawford & His Secret Siblings.  The collective spent three years recording 16 songs with 50 people and over 100 minutes of music. From the start Bright Hopes! has been a gigantic community art project. The 16 songs fill three LPs with accompanying triple-gatefold artwork and 12 page booklet.  Available now!

 

Jake Xerxes Fussell – What In The Natural World

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On What In the Natural World, entrancing guitarist and singer Jake Xerxes Fussell follows his celebrated self-titled debut (produced by William Tyler) with a moving new album of natural questions in the form of transmogrified folk/blues koans. This time these radiant ancient tunes tone several shades darker while amplifying their absurdist humor, illuminating our national, and psychic, predicaments. Featuring art by iconic painter Roger Brown and contributions from three notable Nathans—Nathan Bowles (Steve Gunn), Nathan Salsburg (Alan Lomax Archive), and Nathan Golub (Mountain Goats)—as well as Joan Shelley and Casey Toll (Mt. Moriah).  Available for pre-order now from Paradise of Bachelors.

 

Cory Branan — Adios

Cory Branan Adios Album Artwork

ADIOS is Cory Branan’s death record. Not the cheeriest of openings, but like all of Branan’s mercurial work, it’s probably not what you think. As funny and defiant as it is touching and sad, this self-dubbed “loser’s survival kit” doesn’t spare its subjects or the listener.

Not even Branan’s deceased father is let off the hook. In the tender homage “The Vow” he drolly cites his father’s favorite banality “that’s what you get for thinking” as “probably not the best lesson for kids.” For most songwriters that would be the punchline but Branan pushes through words and, in his father’s actions, finds a kind of “genius in the effortless way he just ‘did’.”

Not all the death on ADIOS is literal mortality. “Imogene” is sung from the wreckage of a love that once “poked fun at the pain, stoked the sun in the rain” but ends with the urgent call to “act on the embers, ash won’t remember the way back to fire.”

The trademark lyrical agility is mirrored sonically. Never a genre loyalist, ADIOS finds Branan (much like his musically restless heroes Elvis Costello and Tom Waits) coloring outside the lines in sometimes startling shades of fuzz and twang. While unafraid to play it arrow-straight when called for (“The Vow,” “Equinox,” “Don’t Go”), ADIOS veers wildly from the Buddy Holly-esque rave up “I Only Know” (sung with punk notables Laura Jane Grace and Dave Hause), through the swampy “Walls, MS” to the Costello-like new wave of “Visiting Hours.”

Mastered by John Baldwin, lacquers cut by Clint Holley.

 

Suzuki Junzo – Shark Infested Custard

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Tokyo guitarist/songwriter/singer Suzuki Junzo‘s new album! Known from his work with Miminokoto, 20 Guilders, Overhang Party and more, Junzo’s Shark-Infested Custard mixes psychedelia, blues, drone, noise and rock into an intoxicating singular blend. Limited edition of 250 copies in a screen printed cover featuring art by Eric DeJesus (Easy Pop Art Research, We Have Heaven).

 

The Dollyrots — Whiplash Splash

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Whiplash Splash is an assertive doubling down on the power pop hooks and punk rock flair issued by California duo The Dollyrots. Tracking much of the raw performances of this 6th studio effort themselves, the band once again enlists Producer John Fields to add polish to Kelly Ogden’s vocals and craft a radio-ready mix. The resulting 13 songs exude authenticity and shift between breakneck tempo changes (“Babbling Idiot”), extreme loud/soft dynamics (“Mermaid”) and bubblegummy melodic three-chord punk (“I Do”).

Recorded during singer/bassist Ogden’s pregnancy with her and guitarist Luis Cabezas’ second child, Whiplash Splash is The Dollyrots’ first studio LP since 2014’s Barefoot and Pregnant and follows two Top 20 peaks on Billboard’s Heatseekers Chart. Standout tracks include guest vocals by Kay Hanley of Letters to Cleo (“Just Because I’m Blonde”), Jaret Reddick of Bowling For Soup (“Other Trucker”), and a modernized buzzsaw-guitar cover of Katrina and the Waves’ “Walking On Sunshine”. As a whole, the record fits sonically between any modern pop-punk and guitar goddess rock & roll… with a hint of Ronnie Spector.

 

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