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Posts Tagged ‘pressing records’

Record Highlight — Camerado

Camerado

An indie rock supergroup of sorts, Camerado’s origins go back nearly six years, when Undertow Music Collective co-founder Mark Ray began writing a new batch of songs after moving to Portland, Oregon from the midwest.

Inspired by the untimely passing of his father and his family’s subsequent journey westward, Ray completed demos of the songs in 2010, sharing them with friend and frequent collaborator, and revered Denton, Texas drummer/producer Matt Pence (Centro-matic, Justin Townes Earl, Midlake), who felt the tracks should be realized as a proper album. Aided by Portland producer​/musician John Askew (The Dodos, Richmond Fontaine, Neko Case), the self-titled record was completed in Fall of 2014.

Shimmering with plaintive, pastoral textures, the eponymous album reveals Ray’s love of seminal early 70s work by ELO, Badfinger, and Pink Floyd fused with a​ lean,​ Pacific Northwest indie sensibility.

 

Record Highlight — Session Americana

Session Americana (Boston) is a rock band in a tea cup, or possibly a folk band in a whiskey bottle. This band/collective of talented musicians craft an musical experience unlike any other. On stage is a collapsible bar table wired with microphones, a vintage suitcase recast as a kick drum, an old Estey field organ, a pre-war parlor guitar, a mandocello and all of its smaller siblings, a harmonica case fire damaged when Jack’s bar went up in flames and graffitied by Depeche Mode roadies, and an assortment of other instruments that get passed around in this freewheeling modern hootenanny. The anything-could-happen feel of a Session show depends on craft that’s not accidental or easilywon; they bring a kind of ease and genuineness to this timeless music, sometimes presenting the latest batch of original songs, sometimes reaching back into depths of the American “song bag”.

The new album, Pack Up The Circus, was mixed by Paul Q. Kolderie, engineered by Matt Beaudoin and Ry Cavanaugh, recorded at Q Division and Larboard Studios, and mastered by Ian Kennedy at New Alliance Studio.

 

Record Highlight — Seafair

Since its beginning in late 2012, Seafair has been turning heads and confusing critics who want to place the sextet into a carefully constructed box. The thing is, with six musicians whose backgrounds range from classically trained to punk rock roots, the band can’t be pigeonholed by genre.

From the heavy hitting of drummer Ryan Kelly to the acrobatic guitar and bass lines of Michael Flaherty and Joshua Riehl, the band builds a soundscape that is completely their own. But it is this, with the combination of the trio of women at the band’s epicenter, that make this ensemble more than your typical indie-rock band. Andrea Belding Elson and Tara Hanish blend precise and poignant violin and cello voices amidst the band’s sound, while the presence and strength of frontwoman Chayla Hope makes the experience of seeing Seafair live one that will not soon be forgotten.

In 2014, Seafair took its live performances on the road, from New York to Denver. In Denver, the band recorded its forthcoming album at ​Black in Bluhm Studio with ​Chris Fogal. The album​, The Querencia,​ is scheduled for release in May 2015.

 

Record Highlight — Anthonie Tonnon

Successor cover art

Anthonie Tonnon is a songwriter and performer based in Auckland, New Zealand.  His new album, Successor, is available now – vinyl purchase includes unlimited streaming as well as a download.

 

Record Highlight — Fight Amp

Philadelphia, PA noise rock powerhouse Fight Amputation have returned with their first new record in three years, entitled Constantly Off.  Set for release on June 9thConstantly Off was recorded in August 2014 at Gradwell House Studios in Haddon Heights, NJ with engineer Steve Poponi (Ladder Devils, Fight Amp).  You can pre-order one of three limited variants from Brutal Panda Records now.

 

Record Highlight — Sam Cohen

Cool It, Sam Cohen’s solo debut, is an extension of the kaleidoscopic terrain evident on previous projects, but where those records rested blissfully in the sonic ether.  Available very soon from the Easy Sound Recording Company.

Record Highlight — King Dude

NJRM-009 King Dude "Deal With The Devil" cover art

King Dude‘s latest offering is a 7″ recording of two new songs from his forth coming full length album entitled, “Songs of Flesh & Blood – In The Key of Light”.

The title track “Deal With The Devil” tells the tale of man who lost his love and how he must make a pact with the Devil to get her back, ultimately risking his life in the process… The b-side “You Know My Lord” is a spiritual ballad that showcases a whole new side of King Dude’s songwriting.

 

Record Highlight – J. Allen

J. Allen’s songs are folk songs written inside the whirlwind that is NewYork City… country hymns tuned in to the traffic hum and the subway rumble.

His forthcoming singles, “Bring Her Back Home” and “Fall Out of Love” mark a turn from the atmospheric, indie-folk aesthetic of his previous work to a more traditional American palette, as well as a renewed collaboration with Alan Weatherhead (A Camp, Sparklehorse) as mixer, arranger and multi-instrumentalist.  “Bring Her Back Home” is available now as a limited edition 7inch.

 

Record Highlight — The Chloes

no filter cover art

The Chloes are an American rock band formed in 2010, started as a jam project between the lead singer and songwriter April Wenzel and bass player Brandie Dawson in Dallas, TX. They started playing live at the local act launch venue, LBG. Popularity for their live show grew and they’ve played to audiences across major clubs in Dallas, Austin, San Antonio, OKC and Tulsa including the Norman Music Festival, SXSW and with touring acts such as BRONCHO, The Screaming Females, Shannon and the Clams, and The Coathangers.

Their latest LP — No Filter — is available now!

 

Record Highlight — A House Safe For Tigers

Indie duo A House Safe for Tigers has released its self-titled debut album through Headless Actor Records.

Borrowing its name from an obscure Lee Hazlewood soundtrack, A House Safe for Tigers has garnered accolades for its reflective, haunting, yet melodious songcraft.  In theory, the pairing of vocalist/songwriter Mark Costantino and multi-instrumentalist Brandon Delmont shouldn’t work. The two musicians come from seemingly disparate backgrounds. Costantino’s last group, The Exit Strategy, earned praise for its raw, post-hardcore recordings and sweat-soaked live performances. In its review, Pitchfork singled out Costantino’s vocals for “adding a youthful, spirited feel to the tracks.” Meanwhile, Delmont earned his stripes as the drummer for Mercury Rev side project Odiorne, a synth-heavy, symphonic-rock group that recorded with famed producer Dave Fridmann (Flaming Lips, Sparklehorse, MGMT).

While owing a debt to some past performers, A House Safe for Tigers has captured something original and compelling on its debut. Songs like “Ann Marie,” “Searchlights,” and the lead-off single “Evaporate,” are aural delights-memorable and contagious, while bearing fruit with each new listen.

 

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