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Posts Tagged ‘pressing records’

Eric Bachmann & Jon Rauhouse

photo by Mike Bulington

Eric Bachmann and Jon Rauhouse are busy men. Bachmann (Crooked Fingers/Archers of Loaf/Neko Case) recently released a solo album on Merge Records and will be touring this spring, summer and fall to promote it. Jon Rauhouse (Neko Case/The Boxmasters/Iron and Wine and Ben Bridwell) also released an excellent new record earlier this year, The Jon Rauhouse Orchestra, Featuring Tommy Connell.  Both musicians also play in Neko Case’s band, who have been touring in support of her beautiful new 8 LP box set, TruckDriver, Gladiator, Mule.

Somehow during all of this traveling, performing and releasing of their own records, Jon and Eric found the time to collaborate; and on Friday, November 4th, 2016, they will release the beautiful results of this collaboration with their debut album. The recording will be available as a limited edition vinyl LP (only 1000 pressed), and as a digital download. Pre-order the vinyl here! Listen to a track from it here!

 

The Heard — Self Titled

The Heard is funk machine venerated for its deep pocket, authentic grooves, and reverence for legendary funk.

In The Heard’s hometown of Chicago, the group cut its teeth delivering hard hitting performances at some of the city’s top venues – the beloved aliveOne, Metro Chicago, Lincoln Hall, Concord Music Hall, and Congress Theater. The band has backed hip hop artist Lyrics Born, former Galactic vocalist Theryl “Houseman” DeClouet, and has shared stages across the U.S. with The New Mastersounds, Lettuce, The Nth Power, Dumpstaphunk, Orgone, The Motet, Karl Denson’s Tiny Universe, Slightly Stoopid, The Funky Meters, and George Clinton and Parliament Funkadelic, to name a few.

The Heard’s music features powerful horn melodies delivered with precision and swagger by Parris Fleming (trumpet), Bryant Smith (trombone) and Lucas Ellman (saxophone), the driving rhythm guitar playing of Taras Horalewskyj, tasteful keyboard work and soulful vocals by Cole DeGenova, and a slamming foundation provided by drummer PJ Howard and bassist Mike Starr.

The debut Self Titled album is available now!

 

reformARTwest – For Sepp

Over the course of five decades, the legendary Austrian free jazz collective Reform Art Unit (and their oshoot groups) have collaborated with countless musicians, including Don Cherry, Carla Bley, Evan Parker, and Jim Pepper. Documented collaborations with free jazz notables include “Impressions” (Kovarik’s Musikothek, 1978) with Anthony Braxton and Cliord Thornton; “Subway Performances” (Granit, 1994) & “Illumination” (InRespect, 1995) with Sunny Murray; and “With Milo Fine” (Granit, 1999).  Milo Fine’s lengthy resume includes numerous records as leader of his own group (the Milo Fine Free Jazz Ensemble) as well as collaborations with Joe McPhee (“MFG in Minnesota”; Hat Hut, 1978, & “Old Eyes”; Hat Hut, 1979) and duo encounters with Derek Bailey (“Scale Points on the Fever Curve”; Emanem, 2003) and Anthony Braxton (“Shadow Company”; Emanem, 2004).

In May of 2015, Fine fullled a personal ambition by hosting the rst North American appearances of Reform Art Unit founding members Fritz Novotny and Sepp MItterbauer. Three nights of extraordinary and intimate concerts ensued at Minneapolis’ Studio Toile d’Angles. This limited edition LP was culled by Nero’s Neptune from over three hours of material, and consists of three pieces featuring two sextets and one nonet. Joining the core members of reformARTwest (Novotny: soprano sax/utes/percussion; Sepp Mitterbauer: trumpet/percussion; Milo Fine: drum set/Bösendorfer Imperial piano/clarinets) are Elaine Evans, Daniel Furuta, Benjamin J Mansavage Klein, Davu Seru, Charles Gillett and Paul Metzger. “For Sepp” is dedicated to the living memory of Sepp Mitterbauer, who died on December 9th of 2015.

Less than 250 copies of 300 pressed are for sale worldwide.

 

Johnny Gallagher — Six Day Hurricane

Recorded in a furious whirlwind in Greenpoint, Brooklyn, Six Day Hurricane serves as an introductory snapshot to the wide variety of styles Johnny has been listening to for years. Under the inspired and subtle production of Thad DeBrock, a team of local musicians was assembled to bring Johnny’s songs—which had previously only been played solo – to life in full band arrangements.  Available soon from Rockwood Music Hall Recordings.

 

Lonesome Shack — The Switcher

Lonesome Shack is a rock band from Seattle, WA. Ben Todd plays guitar and sings. Kristian Garrard plays drums. Luke Bergman plays bass.  They have released records on Alive Naturalsound Records, Burger Records, and Knickknack Records.

Their new album – The Switcher – is available from the band now.

 

Brad Almond — A Tree Falls In The Forest

A Tree Falls in the Forest cover art

Brad Almond is an award winning songwriter, formerly of Delaware band, “Clive”. He now continues to write and perform folk tunes whenever possible.  His new album, A Tree Falls In The Forest is available now.

 

Record Highlight — Alessandro Adriani

Alessandro Adriani has become a trusted source for all kinds of beyond-the-grave coldwave delights, from Maoupa Mazzochetti to The Neon Judgement.  Aside from his work in releasing forgotten gems and up to the minute synth incantations, Adriani has also been quietly issuing his own music. This has primarily taken the shape of Newclear Waves, having surfaced on split tapes and 7”s on Mannequin as well as an album on Desire back in 2012. Under his own name, production has been less forthcoming, although Adriani did pop up on Nico Fidenco’s 2015 album Zombi Holocaust with a remix of the track “The Magic Is In The Process”.

Now though it’s time for the Mannequin boss to delve back into the long player game with Montagne Trasparenti, via Monofonus Press. Adriani in fact collaborated with Willie Burns as Interbrain and delivered a track to the IXTAB compilationon the Austin, Texas-based label last year, but now he returns with nine tracks that further expand on his own interpretation of ghoulish body music.

 

Prairie Empire — The Salt

Prairie Empire is a Brooklyn-based band fronted by Brittain Ashford with Nim Ben-Reuvenon drums. The band will be touring this summer with the support of Jacki Paolella on bass, keyboard and vocals.

The first Prairie Empire album was released on Trailer Fire Records and recorded (unknowingly) in a Portland living room with the band Harlowe. Prior to that Brittain recorded a handful of things in her bedroom under her own name, most notably There, But For You, Go I, which was released on Paris-based Waterhouse Records.

When not writing for Prairie Empire Brittain performs with Dave Malloy‘s Ghost Quartet; she will head to Broadway in the fall with Malloy’s Natasha, Pierre and the Great Comet of 1812. Nim Ben-Reuven is a freelance art director & graphic artist and is a hand-lettering badass.

Their next album, The Salt, will be released on Commodore Trotter Records very soon!

Grace Love & The True Loves – Self Titled

Grace Love and the True Loves cover art

Grace Love and the True Loves is an original 9-piece soul sensation from Seattle, WA. Following in the footsteps of Stax, Motown, King and Daptone artists, but with a sound all their own, Grace Love and the True Loves are setting a course as the next hot soul and funk number ready to sweep the nation with true cross-over appeal. On vocals, Grace Love is Seattle’s shining jewel of grit, beauty and power – think Etta James and Betty Wright meet Mahalia Jackson. Backed by the True Loves, her vocals float effortlessly over kickin’ back beats, smart horns, syncopated rhythms and sweet B-3 color. It’s the hip swinging, booty shaking, heart freeing sound you crave to hear live, but rarely do. Recorded directly to tape at Studio Litho, the full length self-titled album, is sure to bring rave reviews with a sound altogether unique to the Pacific Northwest.

The Self Titled record is available in a very limited quantity now.

 

Hackensaw Boys — Charismo

CharismoCoverArt.jpg

Charismo is the Hackensaw Boys record you’ve been waiting to hear. The 11-track album feels like the zenith release of the band’s 17 years, gathering their diverse life experiences and myriad of roots influences, and crystallizing them into a magnum opus on the Hackensaw way of being. Traditional Appalachian and Delta music lay the groundwork, but it’s injected with a heavy dose of the contemporary, good-times-roll kind of spit and vinegar the band has become known for over the years.

Produced by Larry Campbell – who has lent his talents to Bob Dylan, Levon Helm, and countless others – Charismosees the band reeled in and slightly refined, though still as spirited as ever. The songs (all written by longtime Hackensaws David Sickmen and Ferd Moyse) are tinged with an attitude of scrappy resilience, spinning tales and metaphors of everyday, working class struggles and triumphs. With Campbell’s production, the Hackensaw’s somewhat casual, porch-front aesthetic is sharpened around the edges, focusing in on the simple beauty of their melodies and the earnestness in their delivery.

 

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