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Record Pressing Specialists – The Best Sounding Records On Planet Earth.

Posts Tagged ‘pressing records’

Todd Rundgren & Utopia – Live at the Old Waldorf

With unrivaled stylistic sweep, musicianly chops, and depth of repertoire, Todd Rundgren & Utopia were a must-see concert draw in the late ‘1970s.  This Double-LP release captures an August 5, 1978 date at the Old Waldorf in San Francisco, right at the start of a nationwide tour.  Earlier in the year, Rundgren had assembled an all-star band for residencies at the Bottom Line and The Roxy.  Performances from those dates, plus an August 23 Utopia show, supplied the material for the live album Back to the Bars.  Live at the Old Waldorf includes seven songs that did not appear on Back to the Bars, including four songs from Oops! Wrong Planet.  Also includes Utopia backing Rundgren on songs, Like “Black and White” and “The Last Ride,” from which they were absent on Back to the Bars.  Pre-order this limited edition color vinyl set from Real Gone Music now!

 

Dethbeds — Dungeon Scum

A newly-formed outfit, DETHBEDS unites a host of influence from a wide array of musical backgrounds, resulting in a volatile concoction of angular metallic, punk-fueled hardcore.  Their single-sided EP is available for preorder now.

 

Bazile Mills — Where We Are

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Bazile Mills is an Indie/Alt band from Omaha, NE, formed in May of 2014. The name is a tribute to a time almost forgotten and the ghost town. The town of Bazile Mills was founded in 1882 after the first woolen mill in Nebraska was erected just north of town. Today there are only about 30 residents as the townspeople left after the mills closed. The group is based around songwriterDavid Mainelli and features versatile musicians around him. Tim Rozmajzl brings a gifted country/ blues lead guitar to the mix. Laura Streeter (former lead singer for Gauge) brings an array of instrumental talents and a powerful, moody/indie voice that combines with rhythm guitarist, Sam Vetter’s, unique voice as well. Dan Stein plays the bass and the lap steel guitar and Robb Clemens (formerly of Driven) brings plenty of band experience with the drums.

The band’s new EP – Where We Are – is available soon from Widmest Productions. Stay tuned!

 

King of the Tramps — Cumplir con el Diablo

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King Of The Tramps is an original roots-rock group, based in Auburn, IA, whose sound calls upon influences from modern roots rock, rhythm and blues, rock and southern, country rock. Their sound has been described as “Whiskey Gospel”.  The band has released three albums of original music, Good People in 2011, Wicked Mountain in 2013, and Joyful Noise in 2014.

The King Of The Tramps live show is a foot stompin’, hand clappin’ rock and roll gospel party, with plenty of crowd participation.  The band is comprised of Todd Partridge on Guitar and vocals, Justin Snyder on Guitar and Mandolin, Adam Audlehelm on Keys, Ryan Aum on Drums and Ryan McAlister on Bass.

With Cumplir con el Diablo, the 4th album from the group, the tramps show that their “Whiskey Gospel” sound has more energy than ever, and their stories ring as true and hard as life on the road. The record features 9 songs and one bonus track.  Cumplir con el Diablo is about the general themes of being mired in the overwhelming personal quagmires and external hypocrisies’ that pull us all down on a daily basis. Translated, the album title means “Meet the Devil”, it is intended in the universal sense, as in “The devil is in the details”, or “Having a devil of a time”.

 

Sadler Vaden- Self Titled

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Pop guitarist Sadler Vaden‘s Self Titled (and self-released) album is a follow up to his 2012 album Radio Road, on which he played all instruments.  Following stints with Jason Isbell’s 400 Unit and Drivin n Cryin, this new album employs producer Paul Ebersold and guitarist Audley Freed.

 

Ken Stringfellow – Touched

Azucar Records is a boutique, vinyl-only label dedicated to releasing limited edition pressings of classic albums from the past 30 years, never before issued on vinyl.  Azucar Records began as a simple question: “Why isn’t that available on vinyl?”

Ken Stringfellow’s (The Posies, Big Star, R.E.M.) classic 2001 solo album Touched is now available on limited edition orange cream vinyl. Just 500 copies of Stringfellow’s stirring masterpiece have been pressed. From the somber opening notes of the first track, Down Like Me, to the album’s hopeful closer, Here’s to the Future, each song resonates with an emotional timelessness that only the greatest songwriters can deliver. Stringfellow’s compositions on Touched burst with warmth and soul, making the LP one of the truly great albums of the past 20 years.

 

Rocky Votolato / Noah Gundersen – Live On Lacquer Volume 1

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Live On Lacquer preserves music in a way that is timeless and genuine. Much like the way records were made in the mid-20th century, these songs are captured live and cut in real-time onto lacquer discs with our 1940’s Scully vinyl lathe. Once cut, the lacquer masters are immediately sent off for plating and pressing. Each song is recorded in one take with no editing, allowing for the truest expression of the artist’s performance to be captured. The recording method used here is 100% analog and retains a level of humanity and imperfection often lost in modern digital productions.

The following equipment was used to make this record:
Microphones – Lawson 251, Royer 121, Coles 4038 (pair)
Preamps – Neve 1073
Compression – Empirical Labs EL8, Smart Research C2, FCS P3SME, Maselec MLA-3
Equalization – Squarewave Industries Net EQ and Stereo Width Control
Lathe – 1940’s Scully vinyl lathe with Westrex 3D-II Stereo cutter head and 1700 cutting amplifier
Record Press – Hamilton M-225 BX

A limited quantity is available for preorder now!

 

St. Paul & The Broken Bones — Sea of Noise

Sea of Noise, the second full-length album by St. Paul and the Broken Bones, marks a quantum leap in sound and style for the high-voltage Birmingham, Alabama-based band.

Produced by Paul Butler and recorded at Nashville’s Sound Emporium, the group’s sophomore effort features an expanded eight-piece lineup of the widely praised soul-based rock unit. Longtime members Paul Janeway (lead vocals), Jesse Phillips (bass, guitar), Browan Lollar (guitars), Andrew Lee (drums), Al Gamble (keyboards), and Allen Branstetter (trumpet) are joined by Jason Mingledorff (saxophone, clarinet, flute), and Chad Fisher (trombone).

Sea of Noise is a successor to the Broken Bones’ 2013 debut album Half the City, which introduced the group’s blazing mating of ‘60s soul fire – daubed with latter-day influences like Sly Stone, David Bowie, and Prince — to Janeway’s impassioned singing and writing. The new album witnesses a deepening and broadening of the unit’s musical reach and lyrical concerns.

Read more, and be sure to grab the the record available at indie stores everywhere (and beyond) September 7!

 

Angela Perley & The Howlin’ Moons — Homemade Vision

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Armed with electric guitars, swooning vocals, and songs that split the difference between rock & roll and dreamy psychedelia, Angela Perley & the Howlin’ Moons pack the biggest punch of their career with Homemade Vision.

Like the band’s debut, Hey Kid — an album whose kickoff track, “Athens,” earned Perley an International Songwriting Award in 2014 — Homemade Vision was recorded in the Howlin’ Moons’ hometown of Columbus, Ohio. Many of the songs were dreamt up somewhere along the highways and backroads that crisscross America, though, coaxed into life by a group of roots-rock road warriors who regularly play more than 100 shows a year. As a result, Homemade Vision is the sort of wide-ranging record that creates its own geography, building an imaginary place where the influences of David Gilmour, Tom Petty, Led Zeppelin, and Nebula all intersect.

It’s also the work of a genuine band. Chris Connor’s guitar playing — a flurry of fuzz, crunch, twang and bang — occupies just as large a role as Perley’s voice, while Billy Zehnal’s bass — coupled with cymbal crashes and snare hits from an arsenal of heavy-hitting drummers — glues the mix together. Inspired by love, heartbreak, and everything in between, Homemade Vision is a battle cry from a band that’s spent years fighting the good fight, carving out their own brand of atmospheric, aggressive Americana along the way.

 

Bill Jerpe – Bill Jerpe

Recorded in a makeshift motel room studio in the winter of 1969, and self-released in a micro-edition in 1970, this folk-rock gem must be counted among the earliest self-produced “private press” LPs…With it’s stripped-down production, and ‘basement tapes’ atmosphere, Bill Jerpe’s album offers listeners an unvarnished glimpse into the Hudson River Valley’s vibrant music scene in 1970. Top shelf DIY psych folk for fans of Late ’60’s Dylan, The Band, Jackson Frank, and F.J. McMahon’s “Spirit Of The Golden Juice”. Virtually unheard for 45 years, this release is long overdue — available now from Soft Estate Records.

 

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