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Posts Tagged ‘180 gram’

Eric Bachmann & Jon Rauhouse

photo by Mike Bulington

Eric Bachmann and Jon Rauhouse are busy men. Bachmann (Crooked Fingers/Archers of Loaf/Neko Case) recently released a solo album on Merge Records and will be touring this spring, summer and fall to promote it. Jon Rauhouse (Neko Case/The Boxmasters/Iron and Wine and Ben Bridwell) also released an excellent new record earlier this year, The Jon Rauhouse Orchestra, Featuring Tommy Connell.  Both musicians also play in Neko Case’s band, who have been touring in support of her beautiful new 8 LP box set, TruckDriver, Gladiator, Mule.

Somehow during all of this traveling, performing and releasing of their own records, Jon and Eric found the time to collaborate; and on Friday, November 4th, 2016, they will release the beautiful results of this collaboration with their debut album. The recording will be available as a limited edition vinyl LP (only 1000 pressed), and as a digital download. Pre-order the vinyl here! Listen to a track from it here!

 

The Heard — Self Titled

The Heard is funk machine venerated for its deep pocket, authentic grooves, and reverence for legendary funk.

In The Heard’s hometown of Chicago, the group cut its teeth delivering hard hitting performances at some of the city’s top venues – the beloved aliveOne, Metro Chicago, Lincoln Hall, Concord Music Hall, and Congress Theater. The band has backed hip hop artist Lyrics Born, former Galactic vocalist Theryl “Houseman” DeClouet, and has shared stages across the U.S. with The New Mastersounds, Lettuce, The Nth Power, Dumpstaphunk, Orgone, The Motet, Karl Denson’s Tiny Universe, Slightly Stoopid, The Funky Meters, and George Clinton and Parliament Funkadelic, to name a few.

The Heard’s music features powerful horn melodies delivered with precision and swagger by Parris Fleming (trumpet), Bryant Smith (trombone) and Lucas Ellman (saxophone), the driving rhythm guitar playing of Taras Horalewskyj, tasteful keyboard work and soulful vocals by Cole DeGenova, and a slamming foundation provided by drummer PJ Howard and bassist Mike Starr.

The debut Self Titled album is available now!

 

reformARTwest – For Sepp

Over the course of five decades, the legendary Austrian free jazz collective Reform Art Unit (and their oshoot groups) have collaborated with countless musicians, including Don Cherry, Carla Bley, Evan Parker, and Jim Pepper. Documented collaborations with free jazz notables include “Impressions” (Kovarik’s Musikothek, 1978) with Anthony Braxton and Cliord Thornton; “Subway Performances” (Granit, 1994) & “Illumination” (InRespect, 1995) with Sunny Murray; and “With Milo Fine” (Granit, 1999).  Milo Fine’s lengthy resume includes numerous records as leader of his own group (the Milo Fine Free Jazz Ensemble) as well as collaborations with Joe McPhee (“MFG in Minnesota”; Hat Hut, 1978, & “Old Eyes”; Hat Hut, 1979) and duo encounters with Derek Bailey (“Scale Points on the Fever Curve”; Emanem, 2003) and Anthony Braxton (“Shadow Company”; Emanem, 2004).

In May of 2015, Fine fullled a personal ambition by hosting the rst North American appearances of Reform Art Unit founding members Fritz Novotny and Sepp MItterbauer. Three nights of extraordinary and intimate concerts ensued at Minneapolis’ Studio Toile d’Angles. This limited edition LP was culled by Nero’s Neptune from over three hours of material, and consists of three pieces featuring two sextets and one nonet. Joining the core members of reformARTwest (Novotny: soprano sax/utes/percussion; Sepp Mitterbauer: trumpet/percussion; Milo Fine: drum set/Bösendorfer Imperial piano/clarinets) are Elaine Evans, Daniel Furuta, Benjamin J Mansavage Klein, Davu Seru, Charles Gillett and Paul Metzger. “For Sepp” is dedicated to the living memory of Sepp Mitterbauer, who died on December 9th of 2015.

Less than 250 copies of 300 pressed are for sale worldwide.

 

Johnny Gallagher — Six Day Hurricane

Recorded in a furious whirlwind in Greenpoint, Brooklyn, Six Day Hurricane serves as an introductory snapshot to the wide variety of styles Johnny has been listening to for years. Under the inspired and subtle production of Thad DeBrock, a team of local musicians was assembled to bring Johnny’s songs—which had previously only been played solo – to life in full band arrangements.  Available soon from Rockwood Music Hall Recordings.

 

Lonesome Shack — The Switcher

Lonesome Shack is a rock band from Seattle, WA. Ben Todd plays guitar and sings. Kristian Garrard plays drums. Luke Bergman plays bass.  They have released records on Alive Naturalsound Records, Burger Records, and Knickknack Records.

Their new album – The Switcher – is available from the band now.

 

Brad Almond — A Tree Falls In The Forest

A Tree Falls in the Forest cover art

Brad Almond is an award winning songwriter, formerly of Delaware band, “Clive”. He now continues to write and perform folk tunes whenever possible.  His new album, A Tree Falls In The Forest is available now.

 

Hackensaw Boys — Charismo

CharismoCoverArt.jpg

Charismo is the Hackensaw Boys record you’ve been waiting to hear. The 11-track album feels like the zenith release of the band’s 17 years, gathering their diverse life experiences and myriad of roots influences, and crystallizing them into a magnum opus on the Hackensaw way of being. Traditional Appalachian and Delta music lay the groundwork, but it’s injected with a heavy dose of the contemporary, good-times-roll kind of spit and vinegar the band has become known for over the years.

Produced by Larry Campbell – who has lent his talents to Bob Dylan, Levon Helm, and countless others – Charismosees the band reeled in and slightly refined, though still as spirited as ever. The songs (all written by longtime Hackensaws David Sickmen and Ferd Moyse) are tinged with an attitude of scrappy resilience, spinning tales and metaphors of everyday, working class struggles and triumphs. With Campbell’s production, the Hackensaw’s somewhat casual, porch-front aesthetic is sharpened around the edges, focusing in on the simple beauty of their melodies and the earnestness in their delivery.

 

Quaker City Night Hawks – El Astronauta

Pre-order EL ASTRONAUTA on iTunes and get 2 new tracks “Good Evening” & “Mockingbird” now! http://smarturl.it/ElAstronauta
The Quaker City Night Hawks – Sam Anderson and David Matsler on vocals and guitars, Pat Adams on bass, Aaron Haynes on drums — are a Southern band, to be sure. But it’s not the South we’ve come to expect from Rock and Roll. Equally influenced by ZZ Top and science fiction, the Dallas Observer’s Best Band of 2015 writes of landscapes both familiar and foreign, and they are set to deliver their 9-track El Astronauta debut on Lightning Rod Records. Eras collide in every aspect of the album, from the title—which merges Texas’ Spanish and Mexican roots with its role at the center of the modern space race—to its pop art cover, which depicts a classic ‘70s hot rod that’s been modified into a spacecraft hovering over an exotic desert landscape.

 

Record Highlight — Harps

Available on vinyl from Rocket Heart Records.  The Marvelous Cheer EP differs from it’s original CD counterpart. This limited edition 12″ pressing has been remastered for vinyl and includes updated album art, insert art drawn by HARPS’ own Kaitlin Uemura, etching on Side B, and a HQ digital download of the entire EP.

 

Record Highlight — Robbie Fulks

Robbie Fulks Upland Stories Album Artwork

Robbie Fulks‘s storytelling through folk and bluegrass music on Upland Stories delivers the quieter, sometimes unsettling truths of humanity.

Coming of age in the 1960s and 1970s in Virginia and North Carolina, at the edge of the broad “upland” region referenced in the record’s title, provided depth and detail for Fulks’s songs about the mysteries of memory, the vanishing of cherished things, and the struggles of everyday life. Robbie tries to make songs that offer more than verse-chorus-hook: songs that have space, calmness, unresolved tensions, and the hallmarks of lived experience. This sort of complexity is displayed in “Fare Thee Well, Carolina Gals,” an intimate folk song from the perspective of a man who has let life’s possibilities pass him by, and in “Never Come Home,” in which a sick man returns to spend his last days among an unwelcoming clan of pious, hard-bitten East Tennesseans.

Available from Bloodshot Records April 1 (pre-order is up now).

 

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