For Lutalo, creating music is an act of hope in and of itself. Throughout their meticulously crafted folk, rock, and soul, on which they sing and play all the instruments, the Twin Cities-raised, Vermont-based musician embeds golden lines of poetry that inspire curiosity about the world and empathy for everyone searching for a way through it. On the ambitious AGAIN, a collection of kinetic indie rock tracks, Lutalo makes bold critiques of systemic oppression, capitalism, and the digital attention economy. Though these topics are heady, their writing always sits at an accessible place of personal introspection.

Release courtesy of Winspear, August 25, 2023.

New vinyl pressing — Beth Bombara – It All Goes Up.

Beth Bombara – vocals, electric guitar, classical guitar, acoustic guitar, keys
Kit Hamon – bass guitar, vocals, synth, percussion
Mike Schurk – drums
Samuel Gregg – pedal steel & electric guitar on “Moment”
Sam Golden – strings, electric guitar, mellotron
John Calvin Abney – Rhodes piano and electric guitar on “Fade”
Karl Kling – production, 12 string guitar on “Get On”
Eric Henry – pedal steel on “Get On”

Recorded at Midtown Sound House, Lemp Electric and Holiday Heart
Produced by Beth Bombara & Kit Hamon
Engineered and mixed by Dan Mehrmann at Jettison Studios
Mastered by Kim Rosen at Knack Mastering
Art design by Kit Hamon

All songs written by Beth Bombara, except Curious & Free, Carry the Weight, Everything I Wanted, Give Me a Reason by Beth Bombara & Kit Hamon.

New vinyl pressing! Welshpool Frillies finds the gang back together, in a Brooklyn basement with producer Travis Harrison. Much of it was recorded live to tape. The catchy ear worms in these new songs are undeniable, as the kinetic energy of the band is captured in its most raw and pure form. The album is brash, no-frills, and punky, inspired by the wiliness of 90s-era GBV.

PRE-ORDER! The Welshpool Frillies release date is July 21st.

New vinyl pressing! Transmitted directly from the scuzzed Appalachian wastes outside Pittsburgh, TOBACCO is back with a new rotten IDM fantasy. Skids and Angels is a beige shower of deranged data beamed straight into your boombox. The palettes are familiar – syruppy synths, fuzzy drum samples, garbled tape hiss – all shattered and fractalized on the tile floor. Cobbling together disjointed breakneck braindance notions with signature Allegheny analog waves, Skids and Angels is a certified headphone freakout. This collection of (mostly) instrumentals shoves the classic TOBACCO production methodologies to their twisted, chopped, and warped limits. Far from the more pop-oriented spaces TOBACCO has gone, Skids and Angels spelunks deep and dank downtempo into the beatmaker cave system and opens up its own high fructose boutique. 

A collaged smear of sneering melodies, kaleidoscopic drum and bass fragments, enchanting murmurs, and ratched hi hats, all coated in a charred sugarcrust gloss. Fans of classic electronic backpack pioneers like Boards of Canada and Cheetah-era Aphex will recognize the jargon and vocabulary, but TOBACCO injects this collection of beats and ambient drifts with his signature sibilance and slime. Pushing the envelope directly onto your tongue, Skids and Angels is a flash of glitched out wizardry; spun out and strange, arpeggiated and ready to be dunked directly in your deck.

New Vinyl Pressing – Cigaretts After Sex: Frontman Greg Gonzalez’s ability to set a scene and sustain a mood reels you in deeply. On album opener ‘K.’, a tale of blossoming love etched in tiny details luxuriates over chiming guitars; on the hymn to romantic compulsion of ‘Each Time You Fall in Love’, the suspended animation of Angelo Badalamenti’s heart-stopping Twin Peaks music is echoed. ‘Sunsetz’ and the gently lilting ‘Sweet’, meanwhile, showcase Gonzalez’s ability to weave impressionistic snapshots of romance into melodies that haunt like memories of past loves, all coalescing around his melting vocals.

Available now