Gotta Groove Records

Gotta Groove Records

Record Pressing Specialists – The Best Sounding Records On Planet Earth.

Mitch Bradford — Love Is Kind

Image result for mitch bradford love is kind

Born and raised in the small town of Brownsville, TX, Mitch Bradford discovered music at a young age, immersing himself in the sounds of Neil Young, Jackson Browne, and Joni Mitchell.

In 2016, Mitch left his job in the tech world to purse his passions for music and film full-time.

Fast forward two years later, Mitch teamed up with GRAMMY-AWARD WINNING producer Matt Ross-Spang (Jason Isbell, Margo Price, Zac Brown) to write and record his debut album.

With sessions in Memphis, TN but drawing inspiration from his new West Coast home, Mitch sought out a classic ‘California country’ feel – something that hearkens back to the 1970s folk-rock ‘Laurel Canyon Sound’ of the Eagles, Joni Mitchell, and James Taylor – but with a modern twist.

 

Vinnie Guidera & the Dead Birds — Shedding

Imaad Wasif — Great Eastern Sun

Coming soon on vinyl from Nomad Eel Records!

 

Dirty Wombs — Accursed To Overcome

Monobody — Raytracing

 

Available from Sooper Records now!

Monobody is:
Al Costis: electric bass, vibraphone, lap steel guitar
Collin Clauson: keyboards
Conor Mackey: electric guitar, keyboards, vibraphone, programming
Nnamdi Ogbonnaya: drums, percussion
Steve Marek: electric bass

Matt Attfield played trombone on “Echophrasia”
Engineered by Steve Marek and Conor Mackey
Mixed by Steve Marek and Conor Mackey
Mastered by Carl Saff
Album Artwork by Randi Stella

 

SRSQ — Unreality

Unreality

SRSQ  (pronounced  seer-skew)  is  the  solo  project  of  Kennedy  Ashlyn  (vocalist/keyboardist  of  Them  Are  Us  Too).  Creative voids aren’t filled, but rather holes left that push the edges of the present into new realms of consciousness. SRSQ’s pulse began after the  death  of  Kennedy’s  closest  friend  and  TAUT  collaborator  Cash  Askew, a casualty in  the  sudden and tragic Oakland  Ghost  Ship  Fire  of  2016.  Driven by loss, SRSQ became the vehicle for Kennedy’s transformative process, exploring nuance, nostalgia, reflection, and reconciliation, manifesting in the aural landscape of Unreality.

As a debut, Unreality is entrance into a new form of   storytelling, traversing the present while pulling from a deep swath of experience, immersion, and sound. Like the impulse it pulls from, each song evokes the complex duality of meditation—where simple intersects with infinite. Ambient  synthesizers  that  approach  harshness,  relentless  arpeggiations  act together with Kennedy’s  vocals as a lush weapon, weaving cloudlike fables over orchestration that’s familiar and foreign. Trance-like at times, yet always rooted in cadence and structure, the synesthesia of sound and feeling takes cues from the delicate miasma of Cocteau Twins, My Bloody Valentine, or Dead Can Dance, using their example as the ground floor for building a new temple of frequency. Kennedy proves an adept architect of rhythm, using sequenced electronics as a deep backbeat that allows the harrowing beauty of her vocals to lead the journey.

Available from Dais Records.

 

Paths — In Lands Thought Lost

Forest Management — 21st Century Man

Unholy Two — The Pleasure To End All Pleasures

Chad Taylor — Myths and Morals

Chad Taylor is a composer, educator, percussionist and scholar who is a co-founder of the Chicago Underground ensembles. He has performed with Fred Anderson, Derek Bailey, Cooper-Moore, Pharoah Sanders, Marc Ribot, Peter Brotzmann, Malachi Favors, Iron & Wine, Sam Prekop, Stereolab and more.   Myths and Morals is a highly acclaimed album from earlier this year — grab it while you still can!

 

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