Music cut and pressed into this vinyl record is the culmination of 1000+ steps all skillfully crafted and produced to capture T.vic’s best original, heavy and dynamic soundscapes recorded to date. The mesmerizing artwork was created by Brittany Bindrim. Dave McNair Mastering produced the vinyl audio masters. 

New record pressing! Bloomsday – The Heart of The Artichoke:

The way Bloomsday’s Iris James Garrison writes songs feels like somewhere between a mirror and a memory. Spacious, full-bodied folk songs, they are an ode to things that are good no matter how small; they sometimes feel like the ghost of a Mary Oliver poem. Bloomsday’s new record, ‘Heart of the Artichoke’, is a relic of unfettered creativity and community. They recount the miracles of the mundane, the memories that become sacred, an ode to all that is holy: nightswimming, songs plucked from the ether, the ways friendship can endure.

New vinyl pressing – Sarah Shook & The Disarmers – Revelations — Available via Thirty Tigers on March 29 – Preorder Now

Engineered by Ian Schreier at Fidelitorium Recordings, Kernersville, NC

Blake Tallent, assistant engineer

Mixed by Ian Schreier at Kaleidoscope Mixing and Mastering

Mastered by Brent Lambert at the Kitchen, Carrboro, NC

New record pressing! Fela Kuti – Zombie (reissue/repress).

The fury stirred up among the Nigerian police and military by Fela’s confrontational Alagbon Close (1974) and Kalakuta Show (1976), and the beatings and harassments Fela and Africa 70 suffered as a consequence, were as nothing compared to the reprisals following 1976’s Zombie. Within months of its release, a brutal army attack left Fela’s Kalakuta Republic compound burnt to the ground and many of its residents, including Fela, assaulted and seriously injured.

Available again from Partisan Records.

New record pressing! Tim Easton – Find Your Way. Few poets follow their own arrow as devotedly as Tim Easton, whose songwriting career has woven in and out of folk music and rock ‘n’ roll (and Americana before it was really called that), of erstwhile bands and solo songwriting, of his birthplace of America and all the other places he’s called home. Whether surviving as a busker in Paris and Prague, living and working on both US coasts, touring relentlessly through remote Alaska or recording with some of the most famous sidemen in rock history, Easton has followed his inspiration to every point on the map.

Available from Black Mesa Records.

New Record Pressing! Angelo Outlaw‘s Axis of Time is the stunning debut album from Philadelphia mallet percussionist and poet Angelo Outlaw. Featuring Eraserhood Sound’s signature synth & soul production, Axis of Time is a dazzling blend of jazz, rare groove, funk, soul and r&b.

According to Outlaw, the album is meant to transport the listener to a dream-like state, where space and time slowly fade away and reality is merely a distant memory. Each song sets a unique scene, as the pace of the music swells and sways…from the euphoric highs of lead single “Free My Mind”and uninhibited groove of “Speed of Light” to the trance-like meditation of “Dreams” and mournful melodies of “Invisible Clock,” Angelo and the Eraserhood Sound house band truly go to the cosmos and back. The record is an extraordinary debut from Outlaw, a young gay Black man who hopes to serve as an inspiration to others who might be perceived as different or other. His work transcends race, creed, religion, and politics, and has the power to speak to the universality of time, space, and human connection.

New Record Pressing — Terry Stamp – Blue Reondo.

Terry’s follow-up to his fantastic 1975 album FATSTICKS will finally be heard! Blue Redondo was recorded during 1977-1978 after he had relocated from London to El Segundo, California and still owed his label another album. They passed on the material and the tapes sat in storage until the early 2000s when Terry had the material pressed onto short run CDs to sell at his local solo gigs and via mail order. This the first time any of the tunes have been available on vinyl, lovingly recovered from the original master tapes by Jessica Thompson, mastered by Sean M. Lennon, cut by Anne-Marie Suenram. This is somehow drinking music and “Sunday morning coming down” music at the same time. Terry puts on a master class in songwriting over these twelve tracks.