Ghost Funk Orchestra are a mystery. Plain and simple. Dirty, soulful production, verbed and fuzzed out guitars, mysterious vocals that feel like a lost score to a Quentin Tarantino film. The brainchild of one-man producer/musician/arranger Seth Applebaum, GFO is forging new territory and blurring the line between soul and psychedelic.
Official authorized reissue of the legendary psychedelic LP by Christopher from South Carolina. One of the absolute best American psychedelic LPs of the 1960’s, and one of the rarest—a copy went for close to $4,000 the last time an original copy sold online, and nearly double that changed hands off-line for an original! Every song is of the highest quality—they’re all self-penned too—with an accessible sound the suggests that Christopher could have had more widespread success had they ever made it out of their native South Carolina. The “What’cha Gonna Do?” album was pressed in 1969 to use as a demo (which is why as few as 100 copies exist), but you’d never know it based on the overall quality of the production. When you’ve got blistering acid rock mixed with acid blues, with a couple of thoughtful melodic songs for good measure, you’ve got a recipe for something special.
Amy Oelsner’s homemade pop songs sparkle with these eternal truths: that story-telling is part of being alive, and excavating the past is part of growth. Oelsner, who records as Amy O, is a lifer of the indie-pop underground for whom songwriting is a way of processing the passing of time. Her latest, Shell, brims with poetic granular details of everyday life; it’s her third studio album, and tenth including her many years of home recordings.
Following 2017’s Elastic, Oelsner continues living up to that album’s namesake: Shell similarly stretches with melodies upon melodies. But here there is greater use of space and pace and patience. Perfectly minimal riffs slowly build, ebb, erupt and recoil; guitars and keys layer and swell; there are moments of steady piano-pop, intricate drums and pristine criss-crossing vocal melodies.
“It’s moody—as in low, subdued,” says David Kilgour of his new album.
The atmosphere of Bobbie’s a girl does feel a bit mysterious. Largely missing the jangly distortion of Kilgour’s other work, the album’s ten songs exude a hazy warmth, with a light psychedelia that recalls ’60s outfits like The Byrds and The Velvet Underground.
Four decades into his career, Kilgour remains as creatively restless as ever. Wherever that drive takes him next, you’ll want to follow.
Recorded over the course of 3 special evenings at the Troubadour in Los Angeles, CA, Live Vol. 2 spans the entire Anti-Flag catalog and catapults you from your headphones straight into the circle pit. Known for their raucous live show, Anti-Flag deliver in kind with this first volume of live tracks.
Swansea, the forthcoming record from the Pacific Northwest’s Lemolo, is an ethereal experience bolstered by crashing waves of intentional sound intertwined with hauntingly powerful vocals. Underpinning this soundscape are poignant, insightful lyrics about various moments of loss. Exploring both the sting and peace of newfound solitude, Lemolo’s Swansea is a vivid exploration of a turbulent emotional landscape that resonates as a foundational part of the human experience.