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Gotta Groove Records

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Coastal Club — I Get Nervous Sometimes

Soul Step Records are so fired up to share that they are welcoming back to Soul Step for a second release is Cincinnati’s own COASTAL CLUB. After a strong demand for the 45 single release of “Shake You / Make its By” they get to share on vinyl the newest release from Coastal Club, “ ~ i get nervous sometimes ~” 

~ i get nervous sometimes ~  is the best sunny indie pop that Ohio could produce! This album is for fans of Hippo Campus, COIN, and Bombay Cycle Club. It’s hard to imagine these sun-soaked indie pop jams are from the Midwest! Coastal Club will continue to hit your ears with hook after hook after hook. This is an album of delicious ear-worms that will stay in your head all day long. Put this album on your turntable and watch your life get bright and sunny real quick. 

The Queen City quartet of indie surf rockers was formed in 2017 by a group of friends looking to blend indie rock and pop with the surf music of the 60’s and 70’s. While based in landlocked Ohio, there is a longing for the coast found in their romantic, beachy melodies. Coastal Club has tirelessly played and continued to hone in on their unique sound. With the release of “ ~ i get nervous sometimes ~” we are presented with SIX brand new Coastal Club tracks and the vinyl specifically carries the tracks from their previous self-titled EP. Just as a special treat for the vinyl fans out there. 

Soul Step Records will be releasing “~ i get nervous sometimes ~” by Coastal Club to Soul Step Record Subscribers on Saturday, September  5th. The general public sale will begin on Monday, September 7th. 

There will be a limited to 100 Lipstick Red vinyl variant in addition to the standard black vinyl. Soul Step Records highly encourages fans to sign up to be a Soul Step Subscriber for free, as many of our limited edition vinyl sell out very quickly. 

Past Inside The Present Vinyl

Past Inside the Present (PITP) is an American ambient label with a focus on offering up some of the very best ambient, ethereal, soundscape, and minimal music by prominent ambient artists from across the globe. GGR is proud to manufacture vinyl releases for PITP.

You can shop PITP releases here.

Black Jazz Label Reissues

Doug Carn Spirit of the New Land LP   The Awakening Hear, Sense and Feel LP   Walter Bishop Jr. Coral Keys LP

We are extremely excited to be the pressing plant making the Black Jazz vinyl reissues collection coming from Real Gone Music!

The legendary Black Jazz Records was founded in 1969 in Oakland, California by pianist Gene Russell and percussionist Dick Schory and released its first records in summer of 1971.  From then on, it became a home for many emerging African-American jazz performers across a range of styles, including free jazz, soul-jazz, funk, fusion, and spiritual jazz.  Though it was only around for four years, Black Jazz Records issued a total of twenty albums, bringing Doug Carn, Cleaveland Eaton, Kellee Patterson, and many more to a new audience. 

Gene Russell’s New Direction was the first Black Jazz release and it’s set for release on RSD Drop Day 1 on August 29.  Released exclusively for the event, the album will be pressed on clear vinyl with heavy black swirls and presented in a replica of the original album art.  Here, pianist Russell is joined by bassist Henry “The Skipper” Franklin and drummer Steve Clover on the majority of the tracks, with Larry Gates taking over on bass on the opening and closing tracks.  While it’s more straight-ahead than the Black Jazz releases to come, there are hints of soul jazz and modal jazz that would inform the label’s trajectory.

Others are imminently available, with more planned reissues down the line…

Michael Sarian — New Aurora

Dead Milkmen – (We Don’t Need This) Fascist Groove Thang

The Dead Milkmen make a triumphant return with their new single, a spirited cover of Heaven 17’s classic anti-fascism anthem “(We Don’t Need This) Fascist Groove Thang”. With righteous indignation and a thumping four-on-the-floor beat, the recording marks the legendary satirical punk band’s first new release since 2017’s Welcome to the End of the World EP—and a characteristically grim pronouncement on the upcoming Republican National Convention.

The new single is accompanied by a b-side, “A Complicated Faith,” a Milkmen original buoyed by Depeche Mode-inspired rhythms and a scalding guitar solo courtesy of Joe Jack Talcum. “It’s obviously a very emotional song for Rodney to sing,” drummer Dean Clean says of the tune.

Following the Giving Groove model, all label profits will be donated to a 501(c)3 music-related charity. The Dead Milkmen have chosen Girls Rock Philly as the recipient for this release.

Sciflyer — The Illusion of Unlimited Choice

There had been a few reunion gigs since 2014 featuring original members from various mid-2000s lineups including Roger Chandler (2001-2004) and Scott Eberhardt (2006-2008) but different times and priorities demanded a different configuration. That new lineup finally solidified when Sciflyer’s head space cadet Steven Kennedy’s longtime friends Sophia Campbell on bass joined in 2016 and Sonya Trejo on drums (2018) …both former members of LSD & The Search for God.

Now with a new female rhythm section and new album The Illusion of Unlimited Choice, Sciflyer is stronger than ever. Sonically, still very pretty. Prettier in fact, and with depth and resonance not previously expressed. Definitely heavier and harder too. We’re in new territory here: A Spacemen 3 / Loop-doing-Telescopes-style pop reimagined by The Meat Puppets place, with Jim Reid singing in a lower register. The trademark hazy vocals are more present than ever and are still haunting. I like this record more each time I listen to it. I’m very grateful to Dan Sostrom, Clairecords for sending Steven to Darla. 

Steven Kennedy jokes that Sciflyer couldn’t get arrested in the SF Bay Area back in their mid-2000’s heyday, but with a decade plus in the rear view, the recent shoegaze revival no one saw coming and the exponential growth of social media, that has changed. Apparently some had actually been listening to their two Clairecords releases (2003 and 2005) and liking them… a lot. And so their reputation and legend grew while they were out of commission.

Available from Darla now.

Video Age – Pleasure Line

Video Age’s first two albums were about loneliness and discovering oneself, but Pleasure Line takes on a whole new attitude, considering songwriting partners Ross Farbe and Ray Micarelli are both getting married this year (just a few weeks apart from each other, too). But these songs aren’t expressions of one-dimensional puppy love—this is euphoria with depth, ecstasy with complications.

Video Age’s third album, due out from Winspear on August 7, 2020, pairs neon-bright 80s pop melodies with a vast range of influences (including Janet Jackson, David Bowie, and Paul McCartney) to create an optimistic sound all their own. The influences vary song to song, but they’re all tinted with the same rosy hue. These are catchy, memorable songs that radiate big “glass half-full” energy. Pleasure Line is a salve that protects against cynicism—listening to this album, you can’t help but feel the world around you is full of romantic potential.

Airto Moreira — Seeds On The Ground

Airto Seeds on the Ground LP
450

Airto’s second album, and second and last release for the Buddah label, brought back largely the same crew that appeared on his debut record Natural Feelings (also reissued by Real Gone): vocalist (and wife) Flora Purim, composer and multi-instrumentalist Hermeto Pascoal, and bassist Ron Carter, with contributions from Dom Um Ramão (who later replaced Airto in Weather Report) and Severino De Oliveira a.k.a. Sivuca. Given Airto’s connections to Miles Davis, Weather Report, and Return to

Forever, Seeds on the Ground could easily get lumped into the jazz fusion category. But that would be a mistake. This totally unclassifiable (and, by the way, exceedingly rare) album was no mere blend of rock and jazz influences. Instead, Seeds on the Ground was truly a fusion, an ecstatic melding of bossa nova, psychedelic rock, Brazilian folk, Latin jazz, free jazz, and what we call nowadays “world music.”

If that sounds a bit calculated or intimidating, it’s not; what makes this album so compelling is how organic and intimate it all sounds. Airto played with probably the three most legendary fusion groups in jazz history, and later released a bunch of albums, many for the CTI label. 

Available for a limited time from Real Gone Music.

Anne Waldman — Sciamachy

Sciamachy is produced in collaboration with Fast Speaking Music and the Lévy Gorvy Gallery. With special thanks to Dominique Lévy, Brett Gorvy and Begum Yesar. Texts extracted from Trickster Feminism, Voice’s Daughter of A Heart Yet To Be Born, and Extinction Aria. Thanks to Paul Slovak at Penguin, Chris Fischbach at Coffee House Press, and David Sellers at Pied Oxen Press. Thanks also to Shahzad Ismaily, Erika Hodges, Zoe Brezsny, Emma Gomis, Ecstatic Peace, and Ed Bowes. This album is dedicated to Pat Steir for the breadth and depth of her work. In loving memory of Vanessa Bley.

Pete & The Amusements – Laff In The Dark Soundtrack Vol. 1

Pete & The Amusments Laff In The Dark Al

Keeping in the same spirit of his original motion picture soundtracks, Peter McGennis steps out with a twelve piece band marking his first record as “Pete & The Amusements” who perform and appear in his rock opera “Laff In The Dark.”  Teaming up again with master musicians like saxophonist Pee Wee Ellis and Kofi Burbridge, McGennis takes you on a fun, multigenre ride paying tribute to a beloved Canadian amusement park that played prominently in his youth before its demise.      

Available on vinyl now!

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